why am I thinking about feminism and standardized testing at the same time?
December 31st, 2007 § 2 Comments
Because that’s what I do – I think about things at the same time. And then I think about why.
So this one is inspired by Sandra Lee, the host of Semi-Homemade Cooking on the Food Network — the one whose outfits always match her kitchen. No one who knows me would be particularly surprised that I can’t stand Sandra Lee’s show; from the food to the look I hate every single thing about it.
But in the last few days this generalized anti-Semi-Homemade revulsion has somehow grown into a need to know more about the person and the "semi-homemade" brand to try and understand why I hate it so much.
It started when I accidentally saw the beginning of the episode called, "Family Dinner." I was doing something boring so I needed something to watch at the same time and I was looking at the dish network guide thingy, so the show was still showing in that little box on the top corner of the screen. Sandra said that she really wanted to make a special dinner for her niece, to celebrate her first big day of standardized testing at school.
To celebrate her first big day of standardized testing at school.
!
This was one of those moments where I realize that the gulf between me and someone or something else is more than just taste or preference. That we’re really talking about an entirely different world view. There’s that line in High Fidelity where Rob Gordon says that what we like is more important than what we are like. And it seems like that is true a lot of the time. Why else would people spend so much time working on their Facebook profiles? (Or why would I be so sure to tell you that I wasn’t watching Semi-Homemade Cooking on purpose?)
But just like Laura tricks Rob into liking a couple who have a Tina Turner album, it’s not totally true. Taste by itself doesn’t matter. Usually, we’re assuming that it’s not just taste by itself, but that shared taste indicates something more. So long as I was considering the difference between Sandra Lee and me on the "cornbread mix vs. cornbread from scratch" level it didn’t matter. But the thought that anyone could think of standardized testing day as some kind of new rite of passage to be celebrated, instead of as a symptom of everything that is wrong with public education …
So for those who don’t know – here’s Sandra Lee’s publicist on Sandra Lee:
With her trademark 70/30 philosophy, which combines 70% ready-made
products with 30% fresh and creative touches – Sandra has become the
advocate for the over-extended homemaker. She creates the foundation
and supplies the information that allows anyone and everyone (from
students to parents to working professionals) to take 100% of the
credit for something that looks, feels or tastes as if it were made
completely from scratch.
What I’ve decided after talking with Shaun about this for two solid days is that, at its root, Sandra Lee’s Semi-Homemade philosophy suggests that we shouldn’t try to change anything, interrogate anything, or critically analyze anything. Instead, we should accept what is and if what is is bad – well, then we should focus on spending as little time and energy on it as possible. Unless we can figure out a way to exploit it.
I’m going to try not to spend any time talking about how awful semi-homemade food is because that’s an easy target, and others have done it before me and better than I would. And while it’s fun to talk about the gross, it don’t think by itself the fact that the food is nasty is all that important. But what she’s saying about women is important.
When Sandra talks about semi-homemade this and semi-homemade that, she’s all about the women. Women are too busy to cook like their grandmothers did, women need semi-homemade shortcuts so they can spend more time with their friends and family. While she occasionally says "people" need shortcuts, the demographic she’s identified as hers is clearly made up of female homemakers, juggling lots of different responsibilities, who still feel that food, decor and special occasions are their responsibility. It’s up to the women to create special foods, special environments and special occasions for their loved ones.
And I’m sure that saying you can do all that without a lot of time, money or effort sounds great to a lot of women who find themselves doing that on top of all of their other responsibilities. Especially if they don’t really like cooking, or setting tables. But shouldn’t we be interrogating that underlying assumption instead of finding ways to make things marginally easier? As the New York Times author in the article linked above says – since when do we have to cook alone? To take that farther – what is the law that says that only women can do domestic chores, and that said women must do them in isolation?
It would be the same law that governs television advertising. Essentially, the semi-homemade disciple accepts uncritically the picture of domesticity we see in ads. Watch any major network for any period of time and count the number of examples of men doing indoor domestic work without irony. It wouldn’t be a surprise if you counted exactly zero examples.
For a while I thought that I was being overly sensitive to this, given that I live in a house where my male partner does way more than half of the domestic work in any given week, but in "Working Hard or Hardly Working," too many authors to list here in-text worked together to find out that, in fact, men really aren’t pulling their weight in commercials. Of the 477 commercials they analyzed in a given week, men only did domestic work at all in 1/3. And when they did do some work – the men in the ads did it badly. In 1/5 of the commercials, someone’s performance of domestic work was used to make a joke – those were the ads where men were much more likely to be the ones doing the work.*
Sandra Lee says she’s empowering women with Bisquick and Cool Whip so they can whip through those domestic responsibilities, but she’s entirely accepting the patriarchal structures that say these things are women’s responsibility in the first place. Those ads where the woman uses paper plates so she doesn’t have to wash up – giving her time to join her family on game night? That’s the order of things that Sandra Lee is protecting. Semi-homemade cooking is a way to keep that picture viable even when mom is busy. Dad and the kids can go crazy with the Battleship and the Connect Four every night – cooking, cleaning and washing up is never their concern.
To make things worse, she reacts to her critics by accusing them of attacking women themselves. This became really clear in her Food Network Chefography (not my word), which we watched as part of a whole Chefography marathon on New Year’s Eve Eve.
(We didn’t go into this thinking we’d watch the Sandra Lee story – it
was just on, and then we wanted to know why the Barefoot Contessa is
called that when she is neither barefoot nor a contessa**.)
Anyway, on the show Sandra Lee exclaimed that she was offended by "food purists" who criticized her methods — because those fundamentalists were insulting every woman in America. When you’re done blinking at the hyperbole, think about what she’s doing here. If you think semi-homemade food is gross, then you are attacking every overburdened woman out there who is just trying to get by by mixing some herbs and spices into a jar of Ragu. In that, Sandra Lee is not only refusing to interrogate her assumptions about domestic work and responsibility, but she’s saying others are wrong for trying to do so. And for me, that means she’s leaping over the line between annoying and destructive.
And that’s where it comes back to standardized testing. I’m not saying that Sandra Lee is all "standardized testing yay" because she’s thought about the issues concerned and decided she believes in the value of the practice. I expect that she has never bothered interrogating the practice or standardized testing, and that she probably hasn’t considered what kind of impact these testing days are having on her niece’s education. Maybe not, I’m extrapolating here on some pretty flimsy evidence.
But when it comes to cooking, food and the domestic sphere, and what those things mean for our lives and our culture, her refusal to interrogate some problematic things can be documented easily. There are real evils in the way food, especially processed food, is produced and consumed in this culture. I’m not going to make that argument, because it’s big and others have made it well, and recently. The food purists who attack the semi-homemade way are sometimes simply saying the resulting food is nasty and they don’t want to eat it, but sometimes they are addressing this bigger picture.
I don’t have any idea what Sandra Lee thinks about processed, disposable food production because even though in her recipes and in her "philosophy" she clearly takes a side on the question – she never addresses it. Instead, she deflects criticism by pretending that the rest of the women in America have to share it with her. No thanks.
Because the difference in worldview that I am talking about here cuts deeper than Cool Whip vs. Whipped Cream. It cuts deeper than processed food vs. locally grown and fresh. It gets all the way down to a basic question of — do we look at the world around us with a critical eye? Or do we accept what’s there as there and try to get by or exploit the structures we inherit?
So it’s not really the domestic shortcuts that bother me about the semi-homemade philosophy so much as the shortcuts Sandra Lee takes in her, for lack of a better phrase, critical thinking. And looking beyond her own issues, the fact remains that her entire reason for being is to give other people a set of excuses for why they don’t have to think hard about difficult questions either. According to her, we’re all too busy to think about where our food comes from, or how we can equitably share responsibility for domestic work. Which, at least, means now I understand why I despise this show so much — as a librarian I work hard to give people the tools they need to question their assumptions about the world, and to make that world better. Her horrible food is making that work harder.
______________
*Erica Scharrer, D. Daniel Kim, Ke-Ming Lin, Zixu Liu (2006).
Working Hard or Hardly Working? Gender, Humor, and the Performance of
Domestic Chores in Television Commercials. Mass Communication & Society, 9(2), 215-238.
**It was the name of the specialty food shop she bought in the Hamptons when she got bored of advising the President on nuclear policy. Really.
my personal best-movies-of-2007 list
December 30th, 2007 § 2 Comments
Every year, Shaun and I sit down in a pub after the last movie we
see in the year and make our personal top 5 lists. The only rule is
that we had to see the movie, in the theater, in that calendar year.
So we usually end up with some movies that were officially released the
year before. This was my list this year, in the order in which we saw
the films:
Children of Men
Volver
Persepolis
The Assassination of Jesse James by the Coward Robert Ford
I’m Not There
Children of Men was actually the first movie we saw in 2007.
When we left the theater that day, Shaun said that he wouldn’t be
surprised if it didn’t end up being the best movie he saw all year.
Because we usually get a bunch of critically acclaimed or Oscar-bait
movies opening down here in January, it’s not unheard of that the first
movie we see holds up. This year we’re going to be seeing Charlie Wilson’s War first, though, and I doubt that that will be on my end of the year list. Maybe – but I kind of hope not.
This was kind of an unusual year in that we ended up seeing a lot of
good movies, but we didn’t have that "big movie that everyone must see"
experience. I have two movies on my list that I really, really liked,
but they’re the kind of movies I would be very careful about
recommending to others (Jesse James, and I’m Not There).
It’s not weird for me to have one movie on my list like that, or to
have a movie that I don’t recommend because of something like violence,
but not movies like this that I love a lot but that I know many people
I like, and whose taste I respect, wouldn’t really like at all.
This was also an odd year because we went to the Toronto Film Festival. A third movie on my list, Persepolis,
hasn’t even opened here yet so I couldn’t recommend it to anyone even
if I wanted to. As a matter of fact, the last decision I had to make
for this list ended up being between My Winnipeg, Guy Maddin’s deeply idiosyncratic and personal "documentary" about his hometown, and Persepolis.
One of the things that made that choice so hard was trying to tease out
the impact that the movie had on me apart from the experience of seeing
it in the same room as the filmmaker (and in the case of My Winnipeg, seeing it performed in part by the filmmaker).
One of my favorite movie experiences of the last year was seeing Chats Perches, because of the way it brought back My Winnipeg
for me. I saw on DVD as part of the Tournees Film Festival at Western
Oregon — so it can’t qualify for this list — but the juxtaposition of
these two movies — one deeply personal, psychological and
autobiographical/ the other deeply personal and set against a huge
geopolitical backdrop — was really powerful. Both movies are visually
very personal and individual; both movies are essentially (or in the
case of Maddin, actually) read to you by the filmmaker. I wouldn’t have
expected at the beginning of this year to see movies that would make me
spend a couple of days thinking about Winnipeg and Paris, together, but
I did and it was awesome.
Here’s the full list of films we saw in the theater in 2007:
Children of Men
Curse of the Golden Flower
Pan’s Labyrinth
The Last King of Scotland
Volver
Zodiac
Breach
The Lookout
The Namesake
Waitress
The TV Set
Ocean’s 13
Fantastic Four: Rise of the Silver Surfer
Nancy Drew
Once
You Kill Me
Harry Potter and the Order of the Phoenix
Bourne Ultimatum
Talk to Me
Persepolis
Hollywood Chinese
My Winnipeg
Chansons d’Amour
Vexille
3:10 to Yuma
Michael Clayton
Gone Baby Gone
The Darjeeling Limited
American Gangster
The Assassination of Jesse James by the Coward Robert Ford
No Country for Old Men
I’m Not There
Lars and the Real Girl
Sweeney Todd
ETA: The cat above is an example of the cats featured in Chats Perches.
Edited again to add: Shaun’s list is available now.
YouTube & me
December 26th, 2007 § 1 Comment
The Royal Family apparently started a YouTube channel about two months ago, but I don’t think many people over here noticed it until it came time for the Queen’s annual Christmas message. At least, I don’t remember seeing anything about it two months ago, but I’ve seen it mentioned on three or four blogs this week.
I’m trying to figure out why I think this is such a good idea. If the Bush Administration suddenly started a YouTube channel, I wouldn’t think anything good about it. And I don’t think that’s entirely partisan. I don’t see myself watching 20 minutes of old Clinton home movies on the morning after Christmas either. But this morning, that’s what I found myself doing with the Royal Channel. An old movie depicting events from the death of King George to Elizabeth’s coronation, followed by a silent movie about the Queen Mother’s wedding and all of a sudden it was 20 minutes later.
Interestingly, they’ve disabled embedding.
I think there’s some aspect of admiration for whoever in the Royal Household had the idea of putting video proof of charitable acts and royal family events out "where the people are," to use that tired phrase — but I don’t think that by itself explains why I’m taken with this idea. I think that combined with the kind of information the royal family has available to broadcast in this way — those old videos, the historical stuff — is what makes this seem right to me. Most of the time that’s where I end up losing time on YouTube. Thirty minutes searching for Mario Savio talking about the machine, two hours of old Olympic coverage. This is where my actual time has actually gone in the last year.
So that leads me to the question – is this just the historian in me? Am I taken with the royal family channel because it’s way to see historical artifacts I wouldn’t otherwise easily see? Or is this a more objectively cool example of the right medium for the right message?
Hmmmm…..
more metathinking
December 22nd, 2007 § 1 Comment
Continuing from yesterday….. as I said then, I was really taken by the discussion of the connection between reading and thinking. Then I was on YouTube the other day looking for something very serious and work-related when I thought "Hey! I bet they have debate videos on youtube now. I will go look for some."
Weirdly, they really don’t. I mean there are some videos up there but really hardly any and even those that are there are very rarely showing actual competitive debates. Which is interesting – why would that be? It’s a pretty visual thing, and the people engaged in it are pretty much standing in one place and indoors so it would be easy to film. Are there concerns about cheating? About giving your opponent an unfair advantage? Is the idea that debate is somewhat ephemeral or in the moment – that what you say in a round will to some extent stay in the round an inherent part of the culture? I mean, the idea of instant replays in debate sounds pretty horrible to me – debaters’ capacity to relive the same round over and over again without video is pretty frightening. I can’t imagine that any round would ever feel truly over if you had the capacity to let armchair critics revisit and re-judge it over and over again.
But those aren’t actually the questions I wanted to ask here. I did find a few videos – and this one was a little bit interesting.
That’s the final of the 2004 NDT – Michigan State over Berkeley. A result I have to give you because the video itself isn’t all that good and cuts off right before the winner is announced. Clearly, it’s not interesting because of the video itself; what got my attention was the comments. First, that there even are 100+ comments on a mediocre video about an arcane activity like academic debate. But more than that the tenor of the comments – mostly those that are displaying on the first page.
As someone who was on the fringes of collegiate debate for a long time (my own experience came in high school where I was pretty successful but not really technically skilled) I have certainly heard these types of reactions to the very technical, very fast debate shown here. But when I read these in the context of the many discussions Shaun and I have had recently about the need for liberal education, the conversations Kate and Sara and I have had about the thinking/ learning connection in the context of research and writing, and the thinking/ reading discussion I was having in my own head yesterday — these really struck me.
First we have edfehrman — its too bad that "debate" has become much less about making a good argument and the strength of your reasoning as has now become more about who can unleash the greatest volume of words, regardless of their content. No wonder logical discussion is in such short supply in our culture.
Now this really isn’t too bad. I would probably counter that competitive debate has never been about making a good argument so much as it has been about making a winning argument. But at the same time, I don’t really think those things can be separated. To do so would suggest that one could make an objectively "good" argument totally separate from its intent, and its impact on the audience. These video debaters are making their arguments in front of an audience they know well, in a way that is familiar, expected, and valued by that audience. But still, my knee doesn’t jerk when I read this comment. Probably, I’ve heard it too many times in my life for it to have much of an impact.
That brings us to sixlbs9oz
who says — "I agree with daytraderaz– this kind of debate doesn’t have anything to do with persuading normal people with watertight arguments and compelling rhetoric– this kind of debate is called "speed and spread" by debate teams (not all of whom do this kind of debate exclusively). I guess it’s interesting as an academic exercise, but it seems like an Ivory Tower hobby to me."
Again, this starts out totally familiar. As if this kind of debate even wants to have anything to do with persuading normal people with watertight arguments. As if watertight arguments alone are enough to persuade normal people of anything. As if there is an objective standard of watertightness that we can use to decide whether or not we normal people are persuaded. As if – all of that.
No, what I find really interesting here, and a little bit depressing, is that last part of the statement. That this is just an "ivory tower hobby" – what does that even mean? Because sixlbs9oz seems to understand a few things — s/he seems to understand that these debaters ARE performing for an audience. And s/he gets that this specific audience both has the overt power to decide how effective this rhetoric is by giving a win or a loss in the round – and that this specific audience likes this kind of debate. S/he seems to understand that this performance is built upon a ton of work, and that there’s some thinking going on there. And yet, it’s just an ivory tower hobby. The cognitive, rhetorical, critical thinking skills – these apparently won’t matter at all outside of the academy.
Thanks to the reverse chronological order of YouTube comments, we only now come to daytraderaz
comment — Only academics could come up with a system that if [sic] absolutely no use in the practical world.
Now, there’s been a lot of fights in debate over the years. Actually, that’s not entirely accurate. It’s more like there’s been the same fight and it’s happened a lot of times. People worry that excessively technical debate – most of the time "excessively technical" can be read to mean "excessively fast" — is moving the activity too far away from practical skills. and that the activity should place a higher premium on a persuasive vocal style and the ability to turn a moving phrase. Rules are changed, new leagues are built, new forms of debate are adopted. Eventually, the debaters start to push at the new rules, and the argument begins again.
And I’m not sure what my point is here except to say that this idea of debate having value only if it teaches transferable "real-world" skills is not just an us against them thing — debate people do this too. Sometimes it is because they see something they value being lost in the activity. But sometimes, I think it is because they take the daytraderaz’s of the world a little bit too seriously. If the activity becomes so specialized or technical that the average person can’t see the value of it – then there must not be any value to see.
And this is where I get sad, and worried, because don’t you feel this happening in higher education? A lot? I think we frequently work under the assumption that the average person sees one value to a college education – and that value is all tied up in the ability to get a good job. And I’m not saying that’s not a valid assumption. At the very least, a whole lot of our students seem to come to us with the idea that the good job is the carrot they’re chasing. But when we try to shift our focus to that value alone – to inculcating only those skills and characteristics that point directly (and measurably) to the "good job" — then we risk losing a lot.
Because of course there’s more going on in academic debate than meets the eye. I don’t think anyone would deny that the most obvious physical skills needed to win the NDT – the ability to flip a pen around one’s thumb and to talk really, really, super fast — don’t have a lot of real-world utility.
(Though I have gotten through a lot of awkward small talk situations because of the pen thing. I’m just saying.)
But I don’t know many people involved in debate, even those who were not exceptionally successful, who think they got nothing out of the activity beyond an ivory tower hobby. Instead, they argue that while the actual debates themselves might have been jargon-filled and specific to that context, the skills gained by doing the activity translate to almost every other context.
As a former female debater, I still take note of women who succeed in this very patriarchial activity, so I know that Greta Stahl – the woman in the video above – was not only a national champion debater, but she was also an honors student, and a Marshall Scholarship winner. I’m guessing that some of the same skills that led to success in the debate venue helped her out in international relations? I’m guessing that her ability to analyze, to research, to build an argument, to evaluate information, to find new ways to approach and attack a problem …. even practical things like controlling nervousness during public speaking …. that all of those things might have been honed and sharpened during academic debates. And that they might have helped her succeed in all those other venues. I don’t know Greta Stahl at all – but I still feel comfortable guessing that because those things are true of most of the academic debaters I know.
And I have long thought, even though I was not a technically skilled debater myself and I would have benefited greatly from arbitrary rules set up to prevent others from using their technical skills against me, that debate as a whole should focus on all of those benefits instead of trying to turn the activity into something that a "normal" person can understand. Because those under-the-hood skills are not just useful, they have actually been far more important to me in life than any practical public-speaking skills I developed.
And college too, is about so much more than measurable skills that employers say they want. If that’s our goal – guaranteeing employability — we’re just measuring our students by someone else’s standard. And by a standard that would call everything about college that doesn’t directly and obviously and measurably point to a good job nothing more than an "ivory tower hobby."
And that really, really scares me. When the kinds of things that are not obvious, that happen behind the curtain of the academic performance — critical thinking, analysis, evaluation, creativity — become something that only a particular class of people get to do, when thinking itself is something that only those ivory tower freaks get to play at – we’re obviously the worse for it.
Note: if you want to look like a very cool debater, don’t start with the talking fast thing. Start here:
reading, thinking & Caleb Crain
December 20th, 2007 § 2 Comments
I don’t often envy my friend Matt his Harvard education, except for on days like today. After skimming through my RSS feeds and finding not one, not two, but three links to the same New Yorker article – I remembered why occasionally I think Harvard wouldn’t have sucked. Because Matt went to school with Caleb Crain.
And if you want to know why, just read Caleb Crain’s latest article in the New Yorker – Twilight of the books: What will life be like if people stop reading?
I’ve read enough apocalyptic, end-of-knowledge type discussions of how the kids today, they just don’t read that as soon as I hear there’s another article on the topic I get twitchy. And since the NEH report (To Read or Not to Read) hit the airwaves the number of simplistic mass media treatments of the topic have about made me crazy. When I read this morning on Cliopatria that Caleb Crain had written about reading my spirits — they noticeably lifted. Noticeably!
And he doesn’t disappoint –
He considers history. So many critics worry so much about losing the habits of now that they forget that the now is a relatively short blip on the epistemological radar screen. While the ideas of text, of authority, or single authorship hold a lot of power over us now it wasn’t that long ago that that’s just not how we knew things.
"Taking the long view, it’s not the neglect of reading that has to be
explained but the fact that we read at all."
I just can’t take criticism seriously, no matter how serious it is, when it has no historical perspective. And those who don’t recognize that ideas like the author’s voice, or even intellectual property itself are historically and culturally situated — no matter how insightful or intelligent their criticism is, I can’t treat it as such. While I do think that we have something to lose if we stop reading, if we stop arguing, and if we stop communicating as we do now – I don’t necessarily think that we also have nothing to gain if those things go away.
History is change – but the changes are the result of real people making real choices and at any point things could go a lot of ways. Now isn’t inherently better than then, and tomorrow won’t be inherently better than now. Just as a step away from now isn’t a step away from progress, the right path, the best way. I don’t know what it is that we might gain, but I do know that we just don’t know.
Looking at Walter Ong and especially Maryanne Wolf, Crain looks seriously at what we knew pre-reading – how those brains differed from our post-reading brains. When he says that if the movement away from reading continues in our culture "the world will feel different, even to those who still read" you believe that by "different," he means "different" — not "way worse OMG". Western reading, western epistemology aren’t just the result of some inevitable progressive march towards perfection – it’s what happened, it’s not what obviously had to happen. And that means if it changes, then the impact of those changes aren’t inherently good or inherently bad – they just are.
Which isn’t to say that they’re value-neutral or that there’s nothing there to value. But this kind of examination is a necessary first step to any real, meaningful reflection on what it is we might want to preserve about what is. What we might want to fight for. Because we can’t pull out the act of reading itself and assign it inherent value and bemoan its lack — it’s not the number of words or pages that we read that we need to think about – it’s something else. In higher ed, a lot of the people I know have come to call it "critical reading" — by which I think they’re getting at our students’ ability (or inability) to learn from what they read.
Citing Wolf, Crain talks about how fluent readers have enough free brain time while they are reading — during the process of reading — that they can think about what they read. They can reflect, synthesize, anaylze, criticize and evaluate.
"The efficient reading brain, quite literally has more
time to think."
– and –
"The secret at the heart of reading, is "the
time it
frees for the brain to have thoughts deeper than those that came
before."
This resonates because I think we’ve all felt sometimes that some of our students are so focused on the act of reading that they forget about the thinking. Or worse, that they’ve never really been taught that thinking is part of the process. One of my colleagues in graduate school used to tell her students that "you can’t read without a pen in your hand." Reading with thinking is an interactive process – the reader and writer both engaged, both creating, both thinking. That’s the piece that we want to preserve — or to create — students who can engage with a text and learn from it. That’s far more important than their page counts.
Crain talks at length, in part because Wolf talks at length, about television and other visual media. The overarching theme is that exposure to visual media threatens out ability to think, to understand. We lose grade levels if we watch too much tv. But even here, Crain’s treatment shows that the picture is more complex than "tv makes us dumber." Some tv for younger children is good, Sesame Street raises grade levels, older teens can’t watch much without damage…
When I read these types of arguments I wonder a couple of things. One relates to what I was talking about above – is it really fair to use the ability to read and engage with text as our only or primary measure of the impact of our students’ engagement with visual media? Or is that focusing on what’s lost, without considering what might be gained? Beyond this, but still connected, is the idea of creativity. Does it change the equation if our students are engaging with media interactively, if they are creating, if they are thinking while they do it. Is there a media fluency that can free the brain up to think and read and consider and analyze and evaluate? I don’t think that all kids today are doing this, because I’m not crazy. But I’d love to see someone examine the question of is there a difference – is there a difference between people actively engaged in the creative production on visual media and those who only consume?
Anyway, read this – pass it along – this is the kind of smart, complex criticism we need to really think about how we can help our students learn today. Reifying the past without criticism means we won’t get there – articles like this one make me think we can.
Note: Karen Munro points out another good article on the reading question.
in their flow
December 16th, 2007 § Leave a Comment
When I saw the Matrix for the first time, I was enthusiastic about it, but I don’t remember thinking it was particularly special. We see almost a movie a week in the theater, and I had no expectation that this one was going to have any kind of intellectual staying power for me. But for the next few days, I would catch myself thinking about it in slow times. I didn’t think so much about the content of the movie – the matrix itself – but about the look and feel, the fight choreography, the art direction and the visuals.
And then later, when we saw the Phantom Menace, I disliked many, many things about it. I was surprised to realize that one of those things was — it just didn’t look very cool. As important as the original Star Wars films had been to me, movies that looked like that just didn’t do it for me any more. It wasn’t just The Matrix that led me to this, of course, and The Matrix itself references a bunch of other stuff that I also like, but something about it came together and pushed my thinking about what studio-produced action movies could be.
So I didn’t notice it until later, but I had taken the blue pill when I saw that movie. Seeing it affected how I saw things from that point on. This happens to me with other things too, especially things I read. I read a lot of things every day, and take a little bit from this and a little bit from that. But every once in a while I read something that really really changes the way I see almost everything else. And most of the time, I don’t realize that right away. I read it, think "that makes sense," and don’t really realize its impact until I notice that I’ve come back to it over and over again.
Lorcan Dempsey’s In the flow is one of those blue-pill readings.
When I first read it, I thought it was just a more nuanced and useful way of thinking about the idea that libraries need to "be where the users are" — a phrase that I have heard about one million times since becoming a librarian, but about which I am still ambivalent despite the repetition. And on one level, it is a more nuanced way of considering that concept. I pull it out frequently as a corrective when faced with a service idea that just doesn’t make sense to me — is doing reference via texting just being where they are? Or is it being in their flow? I think it might be the former.
Dempsey says there are two themes that recur in discussions about flow. The first emphasizes being where they are —
the library needs to be in the user environment and not expect the user to find their way to the library environment
The second, though, goes beyond this –
integration of library resources should not be seen as an end in itself
but as a means to better integration with the user environment, with
workflow.
Being in the users’ flow isn’t an end in itself – it goes way beyond just being where they are. To do it, we need to understand what our users are doing when they are where they are. And to understand how they are doing it, what they are to do it, and what they would like to be using.
The first time I saw something that really illustrated the difference between being in the users flow and just being where they are was when I read about the University of Washington Libraries’ putting links to their collections in relevant Wikipedia articles. The other day, John Pollitz sent me a link to another. This is totally awesome — the University of Oregon has added a button to their library catalog records that allows users to text the call number information to their own cell phones. Jason Eiseman has a nice summary (with screenshots!) of it on his blog. We talk a lot in higher ed about how all of our students have cell phones, they’re addicted to their cell phones, they’re never without their cell phones. And that’s all true. But they don’t use them for everything. And this is a simple little thing that lets them use their cell phones in a way that they are already using them to do a thing that they’re already doing. That’s being in their workflow. That’s putting ourselves where they are in a way that makes sense. And that’s just awesome.
Image Credits
December 14th, 2007 Comments Off
Paris Rooftops, with Painted Cats. Some rights reserved by Tingley.
http://www.flickr.com/photos/tingley/1023849109/
About me
December 14th, 2007 Comments Off
I’m Anne-Marie Deitering, the undergraduate services librarian at Oregon State University Libraries. I’ve been feeling the need for a space to get some pre-writing done – to write about things that occur to me, connections that I want to explore, and ideas that are in their early stages.
Given that I spend a lot of my time talking and writing about the emerging web, it seems a little strange that I haven’t tried this before. Basically, I’ve always been skeptical about my ability to keep a blog up consistently. And given that I spend a lot of my time talking and writing about the emerging web, I know that there’s nothing lamer than a blog with four entries that just dies on the vine. So, that’s my fear. Hopefully writing it out will make it not happen.
I have a fantastically smart and funny husband, and live with him and our two dogs in Monmouth, Oregon.
Shaun named the blog. The name is taken from Brian Wood’s Channel Zero comic.